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・ Georg Theodor Chiewitz
・ Georg Thiele
・ Georg Thilenius
・ Georg Olden (actor)
・ Georg Olden (graphic designer)
・ Georg Olschewski
・ Georg Ossian Sars
・ Georg Ots
・ Georg Pachmann
・ Georg Patermann
・ Georg Paul Thomann
・ Georg Pauli
・ Georg Pausch
・ Georg Pencz
・ Georg Perthes
Georg Petel
・ Georg Pettersen
・ Georg Pfeiffer
・ Georg Pfotzer
・ Georg Philipp Harsdörffer
・ Georg Philipp Rugendas
・ Georg Philipp Telemann
・ Georg Philipp Wörlen
・ Georg Pictorius
・ Georg Pieter Willem Boers
・ Georg Pinkepank
・ Georg Plock
・ Georg Poplutz
・ Georg Prahl Harbitz
・ Georg Preidler


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Georg Petel : ウィキペディア英語版
Georg Petel

Georg Petel (1601-2, Weilheim, Bavaria – January 1635, Augsburg) was a German sculptor and a virtuoso ivory carver. His work marks the beginning of Baroque sculpture in Germany.
==Life==
Petel was born in Weilheim, Bavaria, about forty kilometres south-west of Munich, the son of Clement Petle (or Betle -alternative spellings), a cabinetmaker. He grew up an orphan as both his parents died when he was a small child. Bartholomäus Steinle, a local carver, became his guardian and was his first master. Petel learned ivory carving in the court cabinet-making studio of Christoph Angermair in Munich. At the beginning of the Thirty Years' War, he left Germany and became an itinerant craftsman. In 1620/21 he met Peter Paul Rubens in Antwerp who was an important influence.
He later travelled via Paris to Rome.〔(Georg Petel. Bildhauer im 30-jährigen Krieg ) on www.kunstaspekte.de 〕 In Rome he copied both antique and modern works. Here he also met Anthony van Dyck and François Duquesnoy, the leading Flemish representatives of the Baroque in respectively painting and sculpture in Rome. He resided in Genoa from 1622 to 1624 where he received many commissions from local noble families. He was regarded by his patrons as the greatest ivory carver of his time. He subsequently travelled to Livorno, where he made studies after Pietro Tacca’s bronze Slaves, which is part of the monument to Ferdinand I de’ Medici on the Piazza della Darsena. He returned to Antwerp in 1624 where he visited Rubens again.〔(Johannes Ramharter. "Petel, Georg." ) Grove Art Online. Oxford Art Online. Oxford University Press. Web. 17 May. 2014.〕
In late 1624 Petel returned to Germany where he settled in Augsburg. Here he would reside for the remainder of his life apart from occasional trips to the Southern Netherlands. During one of these trips he made a bust of Rubens which, in its spontaneity, recalls the work of Gianlorenzo Bernini. Van Dyck also painted his portrait on one of these visits to Antwerp although the portrait may also have been painted earlier in Rome (around 1622-23).〔〔(David Freedberg, 'Van Dyck and Virginio Cesarini: A Contribution to the Study of Van Dyck's Roman Sojourns' )〕 Georg Petel probably died of the plague in Augsburg at the age of only thirty four.〔

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